An ode to Terry Pratchett on his birthday

Well, not an ode really. Just a blog post. A post to Terry Pratchett on his birthday.

For those of you who don’t know, famed British fantasy writer Terry Pratchett died two years ago, leaving behind a plethora of some of the best, funniest, most inspiring fantasy novels ever written – most significantly, the “Discworld” series.

I’ve mentioned Pratchett a few times on this blog, and that’s because he was a formative influence in developing my reading tastes and in understanding the interaction between politics and society.

My first introduction to the amazingness that is Terry Pratchett came in the form of the Discworld novel “Soul Music,” wherein Death’s (as in the Grim Reaper) granddaughter is forced to take on his duties while he contemplates the meaning of life, to the extent that he has one. As Susan Sto Helit takes up the Grim Reaper’s mantle, magical horse and skull rate included, she crosses path with a young musician who is meant to die in a stupid accident. As Susan struggles with the apparent unfairness of taking a young life in such a meaningless way, the man is saved…by music.

Then, he and his band invent Rock N’ Roll.

Via goodreads

To say that “Soul Music” is a rolickin’ good time is an understatement. This book is gold from start to finish.

“There are millions of chords. There are millions of numbers. And everyone forgets the one that is a zero. But without the zero, numbers are just arithmetic. Without the empty chord, music is just noise.”

– Terry Pratchett, Soul Music

From there, I was hooked. At time of writing, I’ve read the bulk of the Discworld novels and a few of Pratchett’s other books. The beauty of Pratchett’s writing is that it’s not just about the laugh. Discworld is a parallel to the real world, in many ways a mirror of it – its countries based on our own, its civilizations and cultures mimicking ours. And with that comes all the good and all the evil people create: racism (or speciesism, if you want to get technical), sexism, xenophobia, insulation, tyranny, money (which is a special kind of evil when amassed in too large a chunk).

[T]here…are people who will follow any dragon, worship any god, follow any iniquity. All out of a kind of humdrum, everyday badness. Not the really high, creative loathsomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin…without a trace of originality. They accept evil not because they say yes, but because they don’t say no.

Lord Vetinari in Guards! Guards! by Terry Pratchett

Pratchett was the first person I ever heard ask: Who watches the watchmen? Who guards the guards?

These are two of the most important questions a society can ask itself. It goes to the core of what keeps societies intact: trust, in a system, in justice, in fairness. In the idea that if you work hard and stand up for what’s right, you will find those who will stand with you and you will prevail.

It’s an optimistic belief that too often fails to manifest here on Earth, but in the Discworld Pratchett’s acute sense of justice can prevail.

That’s what makes his books so great. They’re funny and deep, so you laugh as you marvel at the selfishness and deliberate stupidity of beings, human and otherwise.

So today’s the anniversary of his birth, so I wanted to take a moment to remember all the good times I’ve had on the Discworld, relive them, and say thank you, Terry Pratchett, for asking me the important questions, for making me laugh, and for inspiring me to want to write my own books.

And speaking of writing, I’ll leave you with some words of wisdom from the man himself:

In my experience, what every true artist wants, really wants, is to be paid.

-Glod the dwarf in Soul Music by Terry Pratchett

Ain’t that the truth?

If you write fiction, you’re probably self-inserting

If you’ve ever had the (mis)fortune to delve into the murky waters of fanfiction, you’ve likely come across a Mary Sue character: a young and beautiful women who is as close to perfect as possible and universally adored.

(Fun Fact: According to TV Tropes, the “Mary Sue” character first became a Thing in a Star Trek parody fanfic.)

The thing about Mary Sue (and her brother, Gary Stu) is that she is almost always an author self-insert. We wish we were perfect (and in a smolderingly romantic relationship with our favorite show/book’s main character), so we create this version of ourselves: beautiful, strong, kind, honest, talented – just all around amazing.

 

Which is fine. If you’ve ever written any kind of fiction at all, you’ve probably done the Mary Sue thing. Writing is, at it’s heart, an exercise in self-reflection, an attempt to understand oneself and one’s place in the world through the power of imagination. This, I believe, is a basic human instinct. When you dressed up as your mother in your long-gone (I assume, since you’re on the internet) preschool days, putting yourself in her shoes (literally), it was a kind of self-reflection. By pretending to be your mother, you entertain the idea that you will one day become your mother, a notion you will undoubtedly recoil from a mere 10 years later. But I digress. The point is, the urge to write a self-insert character is present in every writer.

It’s worth noting that not every self-insert character is automatically a Mary Sue. You might find yourself going in the opposite direction, highlighting and exaggerating the flaws you see in yourself as a form of self-flagellation, or perhaps as an attempt to reconcile yourself to those flaws. Perhaps you tend to insert yourself as a side character, someone in the background who’s main role lies in observation – kinda like you are in real life (which is not a bad thing, btw. More people should observe).

Or maybe you’re the narrator. Technically, all writers are the narrator of everything they write. Here, I mean this more literally. Your narrator is of  the all-seeing, all-knowing variety who does not merely recount the facts of the story but influences it’s path. Lemony Snicket, for example, laments the sad story of the Baudelaire siblings even as he commits to telling the reader every last harrowing detail. A form of grappling with control, or lack thereof, in Daniel Handler’s own life? I have no idea, but if I had to guess, that would be it.

Geez, what a downer.

Tom Holt’s “Alexander at the World’s End” has this kind of narrator.  Euxenus son of Eutychides is telling the story of his life in the court of Alexander the Great, after having lived a long life. He is now dying in a small outpost at the end of world and is telling this story to some unnamed young man, who stands in place of the reader. By reflecting on his life, Euxenus considers the myriad coincidences and random events that guided his life and led him to this, his final resting place, thousands of miles from his homeland. And perhaps, in a way, Holt is also considering the twists and turns his own life has taken. Or not. I don’t know, but speculating is fun.

How does one get their own talk show? Asking for a friend.

(Also, I highly, highly recommend “Alexander at the World’s End.” It is one of my favorite books of all time.)

One of my favorite authors in the world, Terry Pratchett, does this too, I think. If you look at some of his main characters – Sam Vimes, William de Worde, Moist Von Lipwig – they’re all provocateurs. They’re different people, of course, in different times and with different priorities, roles, and concerns, but they all have the same characteristic in common: they don’t accept the status quo, and it is ultimately that characteristic which drives their stories. Did Pratchett see himself this way? His books are very political in nature, especially for the fantasy genre, and draw deliberate parallels between Discworld and our world. If the pen is mightier than the sword, I would say that Pratchett wielded his pen in much the same way Vimes wields his badge or de Worde wields his printing press.

I want to end on this note: if you want to read a hilarious parody of a Mary Sue character, read George Macdonald Fraser’s “The Pyrates.” I read it a hundred years ago but I still remember it, and let me tell you, the only book I have ever laughed so hard at is “Hitchhiker’s Guide to the Galaxy.” Captain Ben Avery is literally the most perfect human man to every exist in the universe: women fall over themselves trying to get his attention, while he remains utterly indifferent. It’s not just Avery – every character is an exaggerated stereotype, all of which serves to take the story in the weirdest and wildest directions. (It also makes the plot a little hard to follow, but let’s face it, this isn’t the kind of thing you read for the plot). If you like insanity, you’ll like this.